Re: The Revised Application of the Intellectual Property
Constituency ("IPC") for recognition as the organization to serve in the
role of, and represent the interests of, the Trademark, Intellectual Property
and Anti-Counterfeiting Interests Constituency of the DNSO
Dear ICANN Board Members:
Set forth below is the Revised Application of the Intellectual Property Constituency (respectively, "IPC" and "IPC’s Application") for recognition as the organization to serve in the role of, and represent the interests of, the Trademark, Intellectual Property and Anti-Counterfeiting Interests Constituency (hereinafter, referred to as the "IPC") before ICANN’s Domain Name Supporting Organization ("DNSO").
The IPC’s Application represents a merger of the applications submitted by Michael Heltzer and Bret Fausett, on behalf of their respective groups. Jay Fenello represented the application submitted by Bret Fausett. The elected interim officers and DNSO Names Council representatives of the IPC (as presented in the New York Document) who were present in Berlin, represented the application submitted by Mike Heltzer. These representatives of their respective applicant groups agreed to merge their applications at the May 25, 1999 meeting held in Berlin during the time set aside by ICANN for the meeting of constituency applicants. Each applicant group was seeking recognition from ICANN’s Board to serve in the role of the constituency category, entitled "the Trademark, Intellectual Property and Anti-Counterfeiting Interests Constituency." (It is respectfully requested that ICANN rename this constituency the IPC for simplicity of reference.)
The present document, entitled the IPC Application, or "Berlin Document,"
has been modified from the New York Document, submitted by Mr. Heltzer
on May 5, 1999 in the following manner: (1) The New York Document was renamed,
the "Berlin Document," the title Background at I was re-titled, "Background
and History," and I.D was modified to make appropriate verb tense changes
and I.E. was added to reflect the additional applicable history for this
document; (2) The section on the Mission Statement and Purpose, at II.B.1,
was modified to state, in relevant part, " . . . and to ensure that these
views and interests [i.e., of the IPC constituents],
including minority views, reflected in the recommendations by the Names
Council . . .;" (3) The section on Organizational Structure and Interim
Decision Making, at III.F.1.c.iii, expands the mandate of the Interim IPC
Council to add "and more fully exploring membership criteria and weighted
voting;" (4) the section on Voting, at VI.A now includes explicit references
to the nomination process, so that this section reads "nomination and
voting" in two places and at the end thereof, the following sentence was
added: "This structure [i.e., the nomination and voting structure] shall
endeavor to ensure the best likelihood of geographic diversity in the Names
Council Representatives.;" and, (5) the list of members as indicated
in the text and the Appendix has been changed to add the Domain Name Rights
Coalition ("DNRC") as an IPC member and in addition, the names of the District
of Columbia Bar Association ("DCBA"), the International Federation of Phonographic
Industry ("IFPI"), International Property Law Association of Chicago ("IPLAC")
, the New York Intellectual Property Law Association ("NYIPLA") and the
Recording Industry Association of America ("RIAA"), were added with an
(*) to indicate that these organizations have submitted formal written
requests to the undersigned. It should be added here that we have also
received many less formal requests and inquiries concerning membership
and expect to receive even more if and when the IPC’s Application is accredited.
If and after the IPC is accredited, the IPC Council will begin review of
membership applications to join the constituency.
Lastly, we note that Eric Brunner submitted an application to ICANN on behalf of the Indigenous Intellectual Property Constituency. Although Mr. Brunner was not present in Berlin, he contacted and spoke with some of the undersigned by telephone yesterday in Berlin. While we have not been able to complete our discussions with him due to the press of time, we are prepared to work with him and the interests that he represents within the IPC.
Subject to accreditation by the ICANN Board, the IPC is ready to begin its operations.
Respectfully submitted by the IPC representatives attending the ICANN Berlin meeting,
Jonathan Cohen, FICPI, jcohen@idealaw.com
President of the IPC, and Interim Names Council
Representative
Mike Kirk, AIPLA, mkirk@aipla.org
Treasurer of the IPC
Joan McGivern, ASCAP, jmcgivern@ascap.com
Secretary of the IPC,
Ted Shapiro, (tshapiro@mpaa.org) by proxy for Tod Cohen, MPA, tcohen@mpaa.org,
Interim IPC Names Council Representative
Susan Anthony, INTA, Susan.Anthony@wcom.com,
Interim IPC Names Council Representative
Dr. Ian Kaufman, AIPPI-US
Helmut Sonn, Honorary President, FICPI
Attachments: Berlin Document, with IPC list
Berlin Document
Organizational Document of the Intellectual Property Constituency of the DNSO
* * * * * * * * * * * *
Appendix
IP Constituency Interim Officers
President | Jonathan Cohen | FICPI | jcohen@idealaw.com |
Executive V.P. | Steve Metalitz | IIPA | metalitz@iipa.com |
V.P. | David Tatham | ECTA | tathan@dial.pipex.com |
Treasurer | Mike Kirk | AIPLA | mkirk@aipla.org |
Secretary | Joan McGivern | ASCAP | jmcgivern@ascap.com |
IP Constituency Interim Names Council Representatives
Tod Cohen | MPA | tcohen@mpaa.org |
Jonathan Cohen | FICPI | jcohen@idealaw.com |
Susan Anthony | INTA | Susan.Anthony@wcom.com |
All appointments subject to accreditation by the ICANN Board.
IP organizations of the IPC as of May 25, 1999 are:
American Bar Association - Intellectual Property Law Section - “ABA-IPL”
American Intellectual Property Law Association - “AIPLA”
Asian Patent Attorneys Association - “APAA”
American Society of Composers, Authors, and Publishers - “ASCAP”
Broadcast Music, Inc. - “BMI”
District of Columbia Bar Association – (“DCBA”)(*)
Domain Name Rights Coalition - “DNRC”
European Communities Trade Mark Association - “ECTA”
Federation Internationale des Conseils en Propriete Industrielle -
“FICPI”
International Federation of Phonographic Industry – “IFPI”(*)
International Intellectual Property Alliance - “IIPA”
International Property Law Association of Chicago (“IPLAC”)(*)
International Trademark Association - “INTA”
Association of European Trade Mark Owners - “MARQUES”
Motion Picture Association - “MPA”
New York Intellectual Property Law Association (NYIPLA”)(*)
Recording Industry Association of America – “RIAA” (*)
(*) By written application to be reviewed by IPCC
Descriptions of IPC Members as of May 25, 1999
American Bar Association Intellectual Property Law Section (“ABA-IPL”)
The ABA-IPL is composed of approximately17,000 members in the United
States and abroad. Its members are patent, trademark, and copyright
attorneys. The ABA-IPL is a leading voice in the field of intellectual
property.
American Intellectual Property Law Association (“AIPLA”)
The AIPLA is primarily a U.S. based bar association with nearly 10,000
members engaged in private and corporate practice, in government service,
and in the academic community. The AIPLA represents a wide and diverse
spectrum of individuals, companies and institutions involved directly or
indirectly in the practice of patent, trademark, copyright, and unfair
competition law, as well as other fields of law affecting intellectual
property. The AIPLA has active members in more than 20 countries
as well as over 400 foreign affiliates from some sixty countries and monitors
and comments on developments in IP law and practice in commercially important
countries around the world.
The American Society of Composers, Authors and Publishers (“ASCAP”)
ASCAP is the oldest musical performing rights society in the United
States and holds the largest repertory of U.S. copyrighted musical works.
It is a voluntary membership association with more than 82,000 members,
representing owners of all genres of musical works. ASCAP is affiliated
with fifty-eight foreign performing rights societies. ASCAP licenses on
a non-exclusive basis the non-dramatic public performances of the repertory
of its members and its affiliated societies to those individuals and entities
which desire to make public performances of that music. ASCAP’s licensees
include, but are not limited to, commercial and non-commercial television
and radio stations, concert halls, sports arenas and teams, hotels and
airlines as well as colleges and universities and websites. ASCAP
has always taken, and is committed to taking, an active role in representing
and defending the public performance rights of its members internationally
and domestically. ASCAP’s President and Board Chair, Marilyn Bergman,
just completed four years of service as the President of “CISAC” (the Confederation
Internationale de Societies de Auteurs et Composeurs), which is an international
confederation of almost all national performing rights organizations, and
ASCAP’s general counsel, Fred Koenigsberg, served as one of the private
sector representatives to the WIPO Diplomatic Conferences.
Asian Patent Attorneys Association (“APAA”)
APAA was formed in 1969 with the three foundation members, Japan, Korea,
and Taiwan. The Association has now extended to include membership
from within the Asian region with 14 countries now represented and has
a total individual membership in excess of 1400.
The Association has as its main objective, to promote the intellectual
property law systems within the region and to foster ties of mutual understanding
between those practicing intellectual property within the Asian region.
Broadcast Music, Inc. (“BMI”)
Founded in 1940, BMI is an American performing rights organization that
represents more than 200,000 songwriters, composers and music publishers
in all genres of music. Through its music performance and reciprocal
agreements, it grants businesses and media legal access to its repertoire
of more than 3,000,000 musical works from around the world. BMI is
an active participant in international organizations focusing on intellectual
property issues. BMI licenses the public performance of its repertoire
on radio, television, cable, the Internet and other media and in other
businesses and establishments.
District of Columbia Bar Association (“DCBA”)(*)
The DCBA is an association of lawyers representing both domestic and
foreign clients in intellectual property, trade and policy matters before
various courts and before the executive and legislative branches of the
U.S. government.
Domain Names Rights Coalition (“DNRC”)
The DNRC represents the interests and views of entrepreneurs, small
businesses and individuals on the Internet. The DNRC works for national
and international policies which are fair and equitable to all users of
the Internet, and which promote the Internet as a global medium of communication
and free speech.
European Communities Trade Mark Association (“ECTA”)
ECTA is an association of some 1,500 trade mark professionals and attorneys
whether in industry or in private practice. Full members have to
be practising in one of the fifteen countries of the European Community,
but membership is also open to affiliates and associates from nearly a
hundred other countries throughout the world.
Federation Internationale des Conseils en Propriete Industrielle (“FICPI”)
FICPI is an organization made up of over 4000 members from over 70 countries
all of whom are experienced intellectual property practitioners.
The international group and its national associations regularly participate
in national and international discussions in relation to all aspects of
intellectual property.
The International Federation of Phonographic Industry (“IFPI”)(*)
IFPI is the worldwide voice of the recording industry. Founded
in Rome in 1933, IFPI has been active in developing and presenting the
views of the world's major record companies, as well as those of hundreds
of independent record companies, in numerous forums around the world. Currently,
IFPI counts over 1,200 record companies, located in 70 countries, among
its members. In addition, the national record industry associations
of 44 countries are members of IFPI. IFPI is a strong supporter of intellectual
property, as its members depend on the strong protection of copyright and
trademark in order for them to invest in and distribute recorded music
around the world. Consistent with this position, we strongly advocate
the protection of copyright and trademark in on-line environments where
the dangers to authors and rights owners from the lack of such protection
are so severe. We have therefore followed the recent developments
in the field of domain registration, including the WIPO process, with great
interest and support the goals of these undertakings.
International Intellectual Property Alliance (“IIPA”)
IIPA works closely with the U.S. trade representative in the annual
reviews on whether acts, policies or practices of any foreign country deny
adequate and effective protection of intellectual property rights or fair
and equitable market access for U.S. persons relying on intellectual property
protection. IIPA is involved in the development of the TRIPs agreements
and the Intellectual Property Chapter of NAFTA. IIPA is a non-governmental
organization participating in copyright discussions in WIPO and is also
involved in regional initiatives such as the Free Trade Area of the Americas
and the Asia Pacific Economic Cooperation.
International Property Law Association of Chicago (“IPLAC”)(*)
IPLAC consists of over 900 members who are engaged in the practice of
intellectual property law. Among the missions of the IPLAC is to
“aid in the development of the patent, trademark and copyright laws, the
administration thereof, and the procedures in connections therewith.”
Because of the importance of domain names and the Internet in the field
of intellectual property, the IPLAC are extremely interested in the activities
of ICANN.
The International Trademark Association (“INTA”)
INTA is a 120-year-old not-for-profit membership organization. Since the Association’s founding in 1878, membership has grown from 17 New York-based manufacturers to approximately 3,700 members from the United States and 119 additional countries.
Membership in INTA is open to trademark owners and those who serve trademark
owners. Its members are corporations, advertising agencies, professional
and trade associations, and law firms practicing trademark law. INTA’s
membership is diverse, crossing all industry lines and spanning a broad
range of manufacturing, retail and service operations. All of INTA’s
members, regardless of their size or international scope, share a common
interest in trademarks and a recognition of the importance of trademarks
to their owners, to the general public, and to the economy of both the
United States and the global marketplace.
The Association of European Trade Mark Owners (“MARQUES”)
The objectives of MARQUES are to assist European based brand owners
in the selection, management and protection of their trade marks and to
create a forum for the free exchange of ideas and information providing
a platform for the representation of their interests. They have approximately
450 members in 75 countries.
The Motion Picture Association of America (“MPA”)
The Motion Picture Association of America acts domestically as the voice
and advocate of seven of the largest producers and distributors of filmed
entertainment. MPAA’s counterpart, the Motion Picture Association
(MPA) serves the same purpose on an international basis. Founded
in 1922 as the trade association for the American film industry, the MPAA
has broadened its mandate over the years to reflect the diversity of the
expanding motion picture industry. Today these associations represent
major producers and distributors of entertainment programming for television,
cable, home video, and looking into the future for delivery systems not
yet imagined. Among its principle missions, the MPAA directs an anti-piracy
to protect, through copyright and other laws, films in 72 countries around
the world.
New York Intellectual Property Law Association (NYIPLA”)(*)
One of the oldest intellectual property bar associations in the United
States whose more than one thousand members are actively engaged in the
protection of intellectual property assets in the U.S. and abroad.
Recording Industry Association of America (“RIAA”)(*)
RIAA is a trade association that represents the companies that create,
manufacture or distribute approximately 90 percent of the sound recordings
in the U.S. With $14 billion in domestic sales and foreign sales
of over $16 billion, U.S. recorded music represents approximately 60 percent
of the world's consumption of music. The U.S. recording industry
employs hundreds of thousands of workers at a variety of levels and produces
a foreign trade surplus. RIAA maintains a large legal and investigative
staff to fight against all forms of music piracy and is associated with
local recording industry groups around the world to extend this fight.
One of its principal missions is to ensure that copyright legislation remains
adequate in light of a rapidly changing technological environment, and
that appropriate conditions exist to foster creativity in music through
increased investment, production, and distribution.
(*) By written application to be reviewed by the IPCC.
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